Ajube Kete

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    Ajube Kete

    Directed by

    Ghana

    2005

    6 min

    • Akan

    Drama

    Ajube Kete depicts a semi-factual account of a day in the life of a house girl set in the village of Kumasi, Ghana. Part documentary, part fiction, the story follows Ajube Kete as she works on chores throughout the day. The girl attempts to complete her work amidst ridicule by older voices heard off-screen. The film is a re-staged scenario based on a true event performed by my young cousin, Ajube Kete. Ajube Kete was my first short film.

    Akosua Adoma Owusu

    Akosua Adoma Owusu

    Ghana

    Instead of ‘Africanizing’ Western stories, I’m interested in reclaiming African history rendering them into what is happening in the present day.

    Akosua Adoma Owusu (b. 1984) is a Ghanaian-American filmmaker, producer, and cinematographer whose films address the collision of identities where the African immigrant located in America has a triple consciousness. Interpreting the notion of “double consciousness,” coined by sociologist and civil rights activist W. E. B. Du Bois to define the experience of black Americans negotiating selfhood in the face of discrimination and cultural dislocation, Owusu aims to create a third cinematic space or consciousness. In her works, feminism, queerness, and African identities interact in African, white American, and black American cultural environments. Named by IndieWire as one of six preeminent “avant-garde female filmmakers who redefined cinema,” she was a featured artist of the 56th Robert Flaherty Film Seminar programmed by renowned film curator and critic Dennis Lim. Owusu has exhibited worldwide, including at the Berlinale, Rotterdam, Locarno, Toronto, New Directors/New Films (NY), and London (BFI). Her film Kwaku Ananse won the 2013 Africa Movie Academy Award. Her film WHITE AFRO won the Medien Patent Verwaltung AG Prize at the 2019 Locarno Film Festival. Her work is included in the collections of the Whitney Museum of American Art, the Centre Georges Pompidou, and the Fowler Museum at UCLA. She has received fellowships and grants from the John Simon Guggenheim Memorial Foundation, the Knight Foundation, Creative Capital, the MacDowell Colony, the Camargo Foundation and most recently from the Residency Program of the Goethe-Institut Salvador-Bahia. Currently, she divides her time between Ghana and New York, where she works as a visiting assistant professor at the Pratt Institute in Brooklyn.

    Selected Filmography