An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
- U.S. Documentary Special Jury Award: Nonfiction Experimentation - Sundance FF
- Keaver Brenai
- Theo Anthony
- Corey Hughes
- Theo Anthony
- Dan Deacon
- AUTLOOK FILMSALES
- SANDBOX FILMS
Brilliantly questions the bonds between filmmaking, perspectives, and policing technology.
A rich achievement, brimming with ideas.
Unearths one brilliant connection — a fascinating lineage between the camera and the gun — and roots it in historical fact.
Theo Anthony is a writer, photographer, and filmmaker based in Baltimore, MD. His work been featured by the New York Times, The Atlantic, New Yorker, BBC World News, and other international media outlets. His films have received premieres at the Toronto IFF, Locarno IFF, Rotterdam IFF, SXSW, and Anthology Film Archives. In 2015, he was named one of Filmmaker Magazine’s “25 New Faces of Independent Film”. His first feature, RAT FILM (2017), was released by Cinema Guild and Visit Films to critical acclaim, with Richard Brody of the New Yorker calling it “one of the most extraordinary, visionary inspirations in the recent cinema”. His latest feature documentary is ALL LIGHT, EVERYWHERE (2021) with its premiere at Sundance FF.