AUTUMN BALL talks about six inhabitants of Soviet-era tower blocks whose lives touch together, and who are all united by a feeling of loneliness. The young writer, Mati, lurks outside the window of his ex-wife and unsuccessfully approaches other women. August Kask is a bachelor-barber living a drab life who takes to a little girl, but his approaches are misconstrued as pedophilia. The single mom, Laura, watches a sappy soap opera on TV and pushes away men’s advances because she cannot trust them. Maurer, the architect, thinks about the wellbeing of humanity, but has forgotten his own wife, who, in turn, looks for solace in the coatroom attendant Theo. Women like Theo, but due to his low social status, they don’t take him seriously.
- Best Director - Bratislava IFF
- Grand Prize - Brussels IFF
- Golden Moon of Valencia - Cinema Jove - Valencia IFF
- Special Critics Award - Lisbon & Estoril FF
- Golden Star - Marrakech IFF
- Don Quixote Award, Estonian Film Award, Estonian Film Critics Award, Jury Prize, Best Actress (Maarja Jakobson), Prize of the Postimees Jury, Special Jury Prize - Tallinn Black Nights FF
- Best Director - Thessaloniki IFF
- Best Cinematography - Transilvania IFF
- Orizzonti Award - Venice IFF
- Rain Tolk
- Taavi Eelmaa
- Tiina Tauraite
- Maarja Jakobson
- Mirtel Pohla as Jaana
- Sulevi Peltola
- Iris Persson
- Juhan Ulfsak
- Ivo Uukkivi
- Katariina Lauk
- Paul Laasik
- Veiko Õunpuu
- Mart Taniel
- Veiko Õunpuu
- Ülo Krigul
"When you are up to your neck in shit, the only thing to do is to sing." (Samuel Beckett)
What I wanted to do is to find a somewhat loose dramatic structure, almost like a flow of events. So that the outcome would be simple yet not boring, seemingly almost random yet making sense in the end. As to the subject of the film, which simply put is the existential solitude of man, I have not much to say. It is hard to make a film about such a thing without drowning oneself in tears and therefore I found it necessary to sustain an ironic attitude towards the subject matter. In the end, I think it is a simple film but not outright stupid, empathical but not overtly sentimental. An ice pick through the heart of self-pity but inserted with a gentle thrust and with all the best intentions in mind.
- HOMELESS BOB PRODUCTION
- KUUKULGUR FILM
- TUGEV TUUL FILMS
A mildly piquant experience.
Emboldened by alcohol and steeped in despair, the characters in Sugisball lunge for love but would settle for understanding.
To me, a good film is essentially something “Wagnerian”: both wurst and schnitzel on the same plate. There must be excesses, reconciled extremes, naiveté and disillusionment combined, and executed almost in bad taste.
Veiko’s debut AUTUMN BALL (2007) was awarded in Venice Orizzonti in 2007. For his second film THE TEMPTATION OF ST. TONY (2008) he received the European Talent Award in 2008. The film premiered at Sundance and Rotterdam. In 2008, he was chosen as one of the 100 most intriguing contemporary film directors in the book 10-10 in Film by Phaidon Publishing. Veiko’s feature FREE RANGE - BALLAD ON APPROVING OF THE WORLD (2014) premiered in Berlinale in 2014. His latest film, THE LAST ONES (2020), was selected at Les Arcs’ Works in Progress, then awarded at Tallinn Black Nights FF as the Best Baltic Feature, and is Estonia’s official submission to the 93rd Academy Awards.