Previous Work
Doha Film Institute Qumra, Open Doors - Locarno Festival
Bloody Beans

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Bloody Beans (Loubia Hamra)

Directed by Narimane Mari

  • Algeria, France 2013; 85 min
  • Original version: Arabic
  • Genre: Drama
    • Marseille Expérance Prize Mention - FID Marseille
    • Renaud Victor Prize - FID Marseille
    • Grand Prix/ French Competition - FID Marseille
    • Dox:Award - CPH:DOX

  • From the director of MADMEN'S FORT presented at Doha Film Institute Qumra
    From the director of LE FORT DES FOUS presented at Open Doors - Locarno Festival
    From the director of MADMEN’S FORT presented at Doha Film Institute Qumra

Synopsis

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come. Because LOUBIA HAMRA also makes a bold switch. Instead of focusing on overwhelming tragedy — colonialism, war — she replaces it by frailty, for instance with the “small fish without a message” that float through the Mediterranean, like a moving frontier opening and closing the film. Serious like in children’s games, History is given the infinite dimensions of a fantastic shadow play, and is even more grave since childhood isn’t swallowed by it, but rather floats on top, an uncompleted rival, still free from an inescapable fate.

Production

  • ALLERS RETOUR FILMS

    Narimane Mari 

Festival Bookings

  • RAMONDA INK

    Pascale Ramonda