"The intersection of identity and cultural appropriation is at the heart of Akosua Adoma Owusu's video INTERMITTENT DELIGHT (2007). This carefully constructed work juxtaposes close-ups of batik textiles, fashion and design from the 1950s and 1960s, images of men weaving and women sewing in Ghana, and fragments of a Westinghouse 1960s commercial—aimed to instruct women on the how-to of refrigerator decoration. Constructed from a combination of 1960s Afrobeat, traditional Asante Adwa music, and field recordings of West African men and women during production of cloths and garments, the soundtrack designed by Kari Rae Seekins pulls the piece together and imbues it with a jolty and festive tone. The work touches upon the idea of feminism's uneven geographical and historical development, and the nuances of labor conditions women face depending on where they live." - New Langton Arts
- Akosua Adoma Owusu
- Kari Rae Seekins
- OBIBINI PICTURES
Instead of ‘Africanizing’ Western stories, I’m interested in reclaiming African history rendering them into what is happening in the present day.
Akosua Adoma Owusu (b. 1984) is a Ghanaian-American filmmaker, producer, and cinematographer whose films address the collision of identities where the African immigrant located in America has a triple consciousness. Interpreting the notion of “double consciousness,” coined by sociologist and civil rights activist W. E. B. Du Bois to define the experience of black Americans negotiating selfhood in the face of discrimination and cultural dislocation, Owusu aims to create a third cinematic space or consciousness. In her works, feminism, queerness, and African identities interact in African, white American, and black American cultural environments. Named by IndieWire as one of six preeminent “avant-garde female filmmakers who redefined cinema,” she was a featured artist of the 56th Robert Flaherty Film Seminar programmed by renowned film curator and critic Dennis Lim. Owusu has exhibited worldwide, including at the Berlinale, Rotterdam, Locarno, Toronto, New Directors/New Films (NY), and London (BFI). Her film Kwaku Ananse won the 2013 Africa Movie Academy Award. Her film WHITE AFRO won the Medien Patent Verwaltung AG Prize at the 2019 Locarno Film Festival. Her work is included in the collections of the Whitney Museum of American Art, the Centre Georges Pompidou, and the Fowler Museum at UCLA. She has received fellowships and grants from the John Simon Guggenheim Memorial Foundation, the Knight Foundation, Creative Capital, the MacDowell Colony, the Camargo Foundation and most recently from the Residency Program of the Goethe-Institut Salvador-Bahia. Currently, she divides her time between Ghana and New York, where she works as a visiting assistant professor at the Pratt Institute in Brooklyn.