Previous Work
When East Meets West
Libera Nos

Not available for screening anymore

Libera Nos (Liberami)

Directed by Federica Di Giacomo

  • Italy 2016; 97 min
  • Original version: Italian
  • Genre: Documentary
    • Best Film (Orizzonti) - Venice IFF

  • From the director of THE PALACE presented at When East Meets West

Synopsis

A film on the come back of exorcism in the contemporary world. Our world. Each year a growing number of people call their sense of unease “possession.” In Italy, Europe, worldwide. The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now? This is the story of a meeting between the act of exorcism and everyday life, where the contrasts between the ancient and modern, the religious and profane, are at times disturbing and at others exhilarating. A film not about religion, but about how religion can be experienced.

Director's Statement

The film is the result of a lengthy research. A strange, postmodern puzzle had begun to form in my mind, one in which the exorcist is a new healer, often considered the last resort after a Via Crucis of magicians, psychiatrists, and alternative medicine, metaphor for a society in which it is important to find a rapid and conclusive cure. Even at the cost of giving yourself over to someone who calls you “Satan.” I decided to tell this story from the viewpoint of someone who experiences it every day. Because exorcists are nominated by bishops and their life is completely transformed. The so-called “possessed” are just ordinary people drawn to the Church in a critical moment of their life. Their experience vastly differs from imagined horror and takes on a complexity in which there is a place even for irony.

Production

  • MIR CINEMATOGRAFICA

     

International Sales

  • TRUE COLOURS

    Catia Rossi