Composed of fragments that refer back and become mixed up with each other, thus creating multiple games of temporality and spatiality, this film shows the living conditions of migrant persons in Calais over a period of three years (July 2007 to November 2010). In so doing, it shows how the police engaged by modern police States extend beyond the law, and cause gray areas, cracks, indistinct places between the rule and the exception. Individuals (and primarily as enunciation of the “defeated,” pariahs or contemporary plebs: refugees, displaced persons, undocumented immigrants, but also unemployed workers, young people of the poor suburbs…) see themselves thus treated like criminals; they are stripped, divested of the most elementary rights that make of them subjects of law and are reduced to the state of “pure bodies,” or “naked lives.”