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    Directed by



    38 min

    • Indonesian


    A mother tries to leave her memory of being a victim during the war in Timor Leste. Maria is one of the female victims of sexual violence in Timor Leste in their dark years of independence. She sees that such possibility can happen as well to her daughter; Flora just because of a bride price.


    Maria Fatima Sara dos Reis Afonso
    Lucia Naroman Pereira de Oliveira
    Edigar Antonio Fatima Costa
    Joao Basilio da Costa
    Felimona da Costa
    Jose Maria Alves
    Madalena Paiva Soares
    Alcina Brites dos Santos
    Beatris Miranda
    Maria de Fatima
    Kamila Andini
    Bayu Prihantoro Filemon
    Dwi Agus Putranto
    Kamila Andini

    Kamila Andini


    Filmmaking for me is all about relations and interrelations, its about changing perspective, its about the journey to the east.

    Kamila Andini is a mother and filmmaker based in Jakarta, Indonesia. Her interest in social culture, gender equality and environmental issues is what drives her passion to make films with a distinctive story-telling perspective. Her debut feature film, THE MIRROR NEVER LIES (2011), portrays the lives of sea wanderers in the Indonesian ocean. Her second feature, THE SEEN AND UNSEEN (2017), explores a cinematic universe of dualism based on Balinese philosophy. Both films travelled to more than 50 film festivals around the world and received approximately 30 awards, nationally and internationally, including the Generation Kplus Grand Prix for Best Feature Film at Berlin International Film Festival 2018 for The Seen and Unseen (2017). She also creates short films to exhibit her voice and vision for filmmaking. AFTER FOLLOWING DIANA (2015), MEMORIA (2016), and SEKAR (2018), her most recent short film, BACK HOME (2019), became part of omnibus Japan-based production, ANGEL SIGN (2019). Lately, she has also expanded her directorial work into theatre. Her debut theatrical work, based on her second film and also titled The Seen and Unseen, was performed at Esplanade Singapore 2018 and Asia TOPA Melbourne 2019, and her latest offering is monologue, stage and virtual performance, NUSA YANG HILANG (2021). At present, she is finishing her third feature, a story about an Indonesian teenager, YUNI (2021), which is an Indonesian, Singaporean, French, Australian production, and is also working on her fourth feature, an intimate film set in the 1960’s, exploring the rights and wrongs of a woman’s life. Before, Now & Then (working title), is now in the post-production stage.

    Selected Filmography