Present.Perfect.

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Present.Perfect. (Wan mei xian zai shi)

Directed by Shengze Zhu

  • USA, Hong Kong 2019; 124 min
  • Original version: Mandarin
  • Genre: Documentary
    • Winner Tiger Competition - IFF Rotterdam
    • Puma Award Special Mention - FICUNAM
    • Young Jury Award Special Mention - Cinéma du Réel
    • Universities Award - IndieLisboa

Synopsis

The Western circuit of vloggers and YouTubers is dwarfed by live-streaming in China, which in a short time has become an industry worth billions. More than 422 million Chinese regularly shared streamed films in 2017. Strange and extreme are especially popular: a boy who eats live worms or two wrestlers dipped in wet paint. Viewers comment in the form of 'bullets' and reward the 'anchors' with virtual gifts that can be cashed in the real world. Zhu Shengze followed a dozen anchors for ten months. From more than 800 hours of footage, she distilled a collective portrait of a generation for whom the online and offline worlds are tightly interwoven. Rather than selecting famous anchors with thousands of followers, Zhu chose the more marginal types: a street dancer with a lousy sense of rhythm, a paralysed girl, a middle-aged transvestite, a bored crane driver. They often lead solitary lives, and for them live streaming is a welcome form of human contact, for instance with people who would just ignore them on the street. In fishing for attention, the anchors are extremely openhearted, verging on exhibitionist. The Chinese censor has now clamped down on the phenomenon, and thousands of virtual showrooms have been closed. The rest perform self-censorship. Live streaming is completely apolitical, but the lives that are presented say a lot about contemporary Chinese society and its shortcomings.

Production

  • BURN THE FILM

    Zhu Shengze,Zhengfan Yang 

Festival Bookings

  • RAMONDA INK

    Pascale Ramonda