Seewatchlook – What Do You See When You Look at What You Watch?

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    Seewatchlook – What Do You See When You Look at What You Watch?

    Seewatchlook – O Que Você Vê Quando Olha o Que Enxerga?

    Directed by

    Brazil

    2014

    74 min

    • English
    • Portuguese

    Documentary, Drama

    “Seewatchlook –What do you see when you look at what you watch?” is a documentary on the challenges in creating a show in NYC—the first intended to be seen from the High Line Park. From Brazilian artist Michel Melamed, the film blurs the boundaries between reality and fiction, performers and spectators.

    Festivals

    Credits

    Cast
    Michel Melamed
    Bruna Linzmeyer
    Alicia Giangrisostomi
    Camila Campos
    Emily Carpenter
    Everett Goldner
    Screenplay
    Michel Melamed

    Cinematography
    Michel Melamed

    Editing
    Nina Galanternick
    Michel Melamed

    Director's Statement

    At the end of 2011, the Brazilian artist Michel Melamed returns to New York City, where he performed every year since 2006 in places such Public Theater, Mabou Mines / PS 122, etc., this time through a research grant. Michel then proposes a challenge to himself: in less than five months to find a theater, a cast, create a new show and film the whole process... And so during his journey Michel discovers a new space in the city, never used for artistic practice, making it even more a unique challenge...

    This is the beginning of “SEEWATCHLOOK - What do you see when you look at what you watch?”, a documentary about the boundaries between reality and fiction through the creation of the same name performance, presented on the corners of Tenth Avenue and 17th Street, to be seen from the bleachers of the High Line Park – a diversity of scenes that evoke the imagination of the audience and passengers by, for example, through the relations between Muslims and Jews, the Guantanamo prisioners and LGBT rights.

    From buying the camera to the first attempts to shoot; from a newspaper ad looking for actors to the auditions of over a hundred artists; and then the premiere and an article at the cover of the art section of the New York Times, the movie presents a small portrait of the mythical city, its theater scene and an invitation to rethink the role of the beholder in the construction of reality. It is important to highlight that the original soundtrack is exclusively composed by the director. Finally, SEEWATCHLOOK is a neologism; a brand new verb. When we move from "see" to "watch" and then to "look" or to “stare”... ? It all depends on who is seewatchlooking and how they seewatchlook? How is the city a stage? What is theatre and what is not? Are the performers actors or citizens? From humor to poetry, theater to performance, "cinéma vérité" to reality show, is one of the challenges of this movie to think about one of the central issues of the contemporary world: there are boundaries between reality and fiction? And then to ask: what do you see when you look at what you watch?

    Production
    GAVEA FILMES
    Production
    REPUBLICA PUREZA FILMES LTDA
    Production
    CANAL BRASIL
    Michel Melamed

    Michel Melamed

    Brazil

    Michel Melamed is an award-winning Brazilian screenwriter, actor and director. His body of work is interdisciplinary in scope, featuring a mixture of artistic languages (theater, literature, TV, music, cinema, etc.), and it has been shown in some of the most important cultural capitals as NYC, Paris, Berlin, Rio, São Paulo, etc. Highlighting his “Brazilian Trilogy” (actor, screenwriter and director), consisting of the monologues “Regurgitophagy”, “Free Money” and “Musicman”. His most recent works are the short film THE RED SOAP OPERA (screenwriter and director), the television series "Campeões de Audiência" (actor, screenwriter and director) and the show “Farewell To The Flesh or Go To Brazil” (actor, screenwriter and director). The documentary SEEWATCHLOOK - WHAT DO YOU SEE WHEN YOU LOOK AT WHAT YOU WATCH? is his first feature film.