Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer, takes us on a surreal journey interweaving the politics of Mozambique’s colonial past and its present. Using music, dance and the body as archive, we experience the ugliness of war through the beauty of dance and poetry. During Portuguese rule Mapiko was often used as social commentary to challenge colonization. The 10 year Independence War against the Portuguese stopped this dance for a few years. Mapiko has however seen a revival since the end of the civil war that followed the country’s Independence. Nowadays, it celebrates freedom, cultural identity and collective memory. As Atanásio himself says, «the dance is linked to the domination, and so history, war and culture are all linked. They are inseparable». Through his work, Atanásio has had an important role in promoting Mapiko as a contemporary art form. As an artist but also as a memory keeper, he now faces the challenge to transmit his knowledge to his son Natepo. Blending observational footage, archive material and contemporary dance sequences, the film crosses the threshold between real and imaginary. These two parallel story-worlds are interwoven creating a visual narrative linking past and present in a radically shifting country.
- Sara de Gouveia
- Khalid Shamis
- UKBAR FILMES
Sara CF Gouveia is a young filmmaker. Her medium-length documentary MAMA GOEMA: THE CAPE TOWN BEAT IN FIVE MOVEMENTS (55 min., 2011) won the award for Best SA Documentary at the TriContinental Film Festival 2011, screened at festivals worldwide and was broadcast on SABC. She was an alumnus of the Durban Film Mart 2014 Pitching Forum, IDFAcademy Summer School 2015 and 2017, Encounters Producers Lab 2015 and Rough Cut Lab and a Hot Docs Blue Ice Fellow. Sara has produced and directed a number of short documentary films, international campaigns and music videos over the years for different clients. She is currently developing the short film Nawar: She Who Guards Herself.